Tuesday, September 30, 2003
I’m alive and well. Indy was a blast and GEMS is great. Will post more when I have net access–and time. Probably not ’til after my cousin’s wedding in CA in two weeks. gl hf
Tuesday, September 23, 2003
Chicago-area readers: tomorrow (Wednesday), there will be a gathering at Dylan’s on Clinton Street near Union Station for a few drinks, starting around 6pm until close to 8pm (to allow adequate time to find a place to watch The West Wing season premiere). Stop by!
Monday, September 22, 2003
Monday: Pee in a cup
Tuesday: Pack
Wednesday: Load truck
Thursday: Unload truck
Friday-Sunday: FORMULA ONE, BABY! GO KIMI! INDY WOO!
A poll, if you will. The United States: Melting pot or tossed salad? Which one is it? Which one should it be?
Sunday, September 21, 2003
Found in the Circuits section of the New York Times: This Is Broken, a site featuring various broken things. ‘Cause the world ain’t perfect, lots of shit’s broke.
Like this Macy’s electronic signboard. Or, my current favorite, detour signs spawned by the Ft. Pitt bridge/tunnel construction in Pittsburgh. I’m of the opinion that the second sign is a trap conceived by the DOT to keep people from leaving town. See, you’ve got exactly five seconds from the time the sign becomes visible to decode that sign and figure out where you have to go before you’re forced to choose and you inevitably end up lost. On my first encounter with the sign, I fell victim to its obfuscatory prowess. Don’t ask me how I survived.
Saturday, September 20, 2003
I’ve never lived in the suburbs. Though I went to a residential high school in the western suburbs of Chicago, I wouldn’t say that I lived there. Though I lived in eastern Queens for two of my four years in New York, it was still a very urban existence. Though I lived in Pittsburgh for a year, yeah, Pittsburgh’s a city, despite my insistence on calling it a town.
Yeah, I have a nice apartment, and yeah, I’m not one who goes out a lot, but even passively I still appreciate everything offered by a big city and I’m going to miss it. I didn’t think I was going to move to the suburbs until I’d married and was ready to settle down and start a family.
Then again, there are a lot of things that I didn’t think would happen.
Friday, September 19, 2003
Me: So I found a place up in Wisconsin. Less than ten minutes’ drive to work. Two bedrooms. Lots of space. Washer/dryer in unit.
Gene: What’s the downside?
Me: Uh, it’s in Wisconsin?
Gene: I guess that’ll do.
…
Me: Also comes with a parking spot in an enclosed garage.
Gene: Ooh. No more street for you.
Me: I’m moving up in the world.
Gene: Yes. Yes you are.
I saw some nice apartments and some not-as-nice apartments. I was shown apartments by people you’d have a hard time saying “no” to because they’re so upbeat and cheerful and you hate to disappoint them. If I could take elements from each apartment I saw today and put them together, I’d have the ideal place to live..but I had to settle for the one that came closest to that ideal.
It’s a nice place nonetheless. Anyone want to help me move stuff next Thursday?
Wednesday, September 17, 2003
As expected, Apple announced new Powerbooks. The 12″ model gets a speed bump, double the L2 cache, different video hardware, DVI out, and USB 2.0 updated over the first revision. Personally, I don’t think it’s that big a difference, except to wait and see if the updated Powerbooks address the various problems people have been reporting with the hardware…
Sunday, September 14, 2003
Yesterday: A trip out to Brew ‘n’ View at the Vic, where I caught the last 30 minutes of Rounders with a laughingly horrible Russian accent out of the mouth of John Malkovich, and a delightful re-viewing of the darkly comic Being John Malkovich in the company of Matt, his younger brother Mike, and the inestimable COOKIE!. After-entertainment consisted of food at Clarke’s with general goofy gabberiness.
Today: a fruitless search for the soundtrack to Being John Malkovich resulted in an order from amazon.com of said album. So as not to come away empty-handed, a copy of Fischerspooner‘s album #1 was purchased despite an unflattering review from Pitchfork.
Opinion: “Lost in Translation”
“Lost in Translation” is a beautifully simple story of two people searching for that certain something that’s missing from their lives. Scarlett Johansson and Bill Murray play Charlotte, a twentysomething recently-married philosophy graduate trying to find her calling, and Bob, an actor past his prime reduced to advertisements in Japan for Suntoury whiskey. Through the course of the movie, the two of them find that they have much to learn from one another. Both serve as mirrors for one another in that they see what was and what will be, but the paths of discovery that Charlotte and Bob embark upon would not be possible were it not for the present circumstances that bring them together and the amplification of their despondency by the surroundings of Tokyo and Japanese culture. Their relationship grows as close as is possible without breaching their own vows of fidelity to their spouses; were the age gap between them smaller and their external responsibilities fewer, no doubt would they be well-matched together.
The reward of the movie (and my favorite part) comes at the end where, after a week, they must go their own separate ways. The intensity of emotions as Bob and Charlotte both understand what they have found–that they have been found–and what they must inevitably give up is palpable as they say good-bye to each other, first in the hotel lobby and then finally in the middle of a busy street. Murray’s Bob and Johansson’s Charlotte feel incredibly perfect together, no doubt intensified by the exaggerated foreign land/foreign culture setting, but you’re not conscious of any sort of artificiality in Sofia Coppola’s writing or direction. And yet, they’re incredibly different, not meant to be together, an idea captured on screen as they hug good-bye and we see Scarlett raised on tiptoes to meet Bill, almost lifted off the ground by his embrace.
Both Scarlett Johansson and Bill Murray give wonderful performances in “Lost in Translation.” Charlotte is vaguely reminiscent of Johansson’s Rebecca in “Ghost World“, but her disaffectedness is more personal and more imminent here; her search for purpose is more easily related to here being a lost young adult than being an angst-ridden teenager. Bill Murray shows versatility in playing a character much more subdued than was found in his past comedic work; his performance comes off as feeling completely natural. Traces of his comic nature can still be found and they are put to good use, further illustrating his disconnection with his surroundings without distracting from the story or becoming a sideshow in itself.
“Lost in Translation” is a very touching story, and one that I’m sure all of us can relate to. The theme is common and yet will mean different things to different people. Watch it, and read it for what you will: translation, like interpretation, is subjective and personal. You will hear what you need to hear and take home the story (and the meaning) that makes sense to you.